Pakistan's failure to improve its image does not only lie in its inability to accept responsibility for and address its problems. Pakistan has also failed to effectively use channels of communication with the outside world, such as movies, literature, art and music, to show a perspective on Pakistan that more closely reflects the way in which Pakistani citizens experience their country. Experiences of painful uncertainty and horror in the face of terrorism, violence, corruption, and state incompetence comingle with very "normal" day-to-day experiences to form a nuanced image of Pakistan in the minds of its citizens. These complicated experiences can best and most eloquently be portrayed through movies, art, literature and music, providing a window into Pakistan to outsiders who may see the country only through a security lens.Yet the arts are not the only means through which Pakistan can challenge the narrow, security-focused narrative about the country. Allowing Pakistani citizens the freedom to broadcast their experiences to the world, even negative ones, is important in not only encouraging the process of self-reflection but also in allowing outsiders to understand the range of different life-experiences that shape the human landscape of Pakistan. At the very least, a greater understanding of the region will allow the international community to move past black and white generalizations about the "Pakistan problem" and to appreciate the nuances that underpin issues confronting the region. In the long run, this will translate into a more empathetic view of Pakistan, and might help the country's image in the world.
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